conflict reporting
Free Conference: Conflict Reporting in the 21st Century
Please join this FREE 1-day symposium at Birkbeck University supported by Frontline Club in association with Action on Armed Violence and Birkbeck bringing together leading conflict reporters, photo-journalists, film makers and investigators to discuss the main challenges and issues facing contemporary reporting on armed violence.
Screening: Hondros
In HONDROS director and childhood friend Greg Campbell reveals a portrait of a man – Chris Hondros who found and explored humanity in war-torn countries with great depth and sensitivity. Hondros’ passion for his craft could only be matched by his unending talent for creating breathtaking imagery.
How to Report on the Middle East
Join our panel to discuss how Anglo-American mainstream media is consistently mis-understanding Muslims and the Arab world in its reporting. The discussion will look into how the UK and US must do more to recognise the diversity between nations in the Middle East.
The Emotional Toll on Journalists Covering the Refugee Crisis
What is the emotional toll on journalists reporting on an event as severe as the refugee crisis? How does this impact their work and what are news institutions doing to protect the mental stability of their employees out on the field? The Frontline Club will be hosting an evening of discussion regarding a report released by the INSI, the first of its kind, looking into the link between the media and moral injury.
Reporting War: Ray Moseley in Conversation with Martin Woollacott
Luminary journalists Ed Murrow, Martha Gellhorn, Walter Cronkite, and Clare Hollingworth were among the young reporters who chronicled World War II’s daily horrors and triumphs for Western readers. In his fascinating new book Reporting War, Ray Moseley, himself a former foreign correspondent, mines the writings of these legendary journalists. The result is an exhilarating parallel narrative, reflecting on events across every theatre — Europe, Pearl Harbor, North Africa, and Japan — as well as the lives of the courageous journalists who doggedly followed the action and the story, often while embedded in the Allied armies.
The Best Defense: Threats to Journalists’ Safety Demand Fresh Approach
Following a new report on journalist safety and the launch of CPJ’s new Emergencies Response Team, this evening will bring together a variety of perspectives on how the safety landscape for journalists and media workers has changed in recent years.
Double Bill Screening: The Battle for Iraq & Hunting ISIS + Q&A
We are delighted to present a double bill screening of the films The Battle for Iraq (33′) and Hunting ISIS (24′) from PBS FRONTLINE. This screening will be followed by a discussion with filmmakers Joshua Baker, Olivier Sarbil and others.
The Frontline Club and Bertha DocHouse Present: Jim – The James Foley Story
Seen through the lens of filmmaker Brian Oakes, Foley’s close childhood friend, Jim: The James Foley Story takes us from small-town New England to the adrenaline-fuelled front lines of Libya and Syria, where photojournalist James (Jim) Foley pushed the limits of danger to report on the plight of civilians impacted by war. Brilliantly constructed with unparalleled access, Jim is a harrowing chronicle of bravery, compassion, and pain at the dawn of a new World War against ISIS.
War Zone Freelance Exhibition – in Pictures
Photos by Tolly Robinson Thursday 28 January 2016 – panel discussion with journalists Benjamin Hiller, Osie Greenway, Jeffry Ruigendijk and Anne Alling on the subject of freelance conflict reporting and the War Zone Freelance Exhibition.
